Protesters in pink balaclavas swarm Russia’s pavilion at Venice Biennale and release coloured smoke

Pussy Riot and FEMEN activists stage a protest against Russia's presence after its absence following the 2022 invasion of Ukraine in front of the Russian pavilion, at the 2026 Art Venice Biennale, in Venice, Italy, Wednesday, May 6, 2026.

VENICE, Italy — Russian punk group Pussy Riot and members of Ukrainian feminist organization FEMEN swarmed the Russian Pavilion at the Venice Biennale under a cloud of pink, blue and yellow smoke to protest Russia’s participation at the world’s oldest international art exhibition.

Their faces covered with pink balaclavas and shouting “Blood is Russia’s art” and “Disobey,” 50 members of feminist groups opposed to Russian President Vladimir Putin blockaded the highly controversial pavilion for at least half an hour while Italian police prevented them from getting inside.

They chanted, played a punk rock song and dispersed without confrontation.

After years of war, “you guys just opened the door to them,” said Pussy Riot founder Nadya Tolokonnikova, adding that the Biennale had not comprehended the importance of “so-called soft power, things, things that seemingly for some people are not important or not political.”

“For Russia, it’s clear that it’s part of their military strategy, and that’s the way they try to conquer the West,” she said.

Discord marks the Biennale

This year is the first time Russia has participated in the international art exhibit since its 2022 full-scale invasion of Ukraine. The opening has already cost the Biennale 2 million euros (US$2.3 million) in EU funding, and plunged the normally serene week of previews into chaos after the jury resigned in protest of both Russia and Israel’s participating, citing crimes against humanity.

The Biennale has defended its decision saying that any country with relations with Italy is free to participate in the exhibition, despite opposition from Premier Giorgia Meloni ‘s government.

The protest comes on the second day of VIP previews for art world luminaries and journalists ahead of the Biennale’s opening on Saturday.

The run-up to Biennale’s 61st edition is the most contested in recent memory, reflecting global turmoil that is spilling over into the exhibition that features 100 national pavilions and 110 artist and artist groups participating in the main curated exhibition titled “In Minor Keys.”

Palestinians have also protested Israel’s participation with actions in the Giardini.

Russia is one of 29 countries with a pavilion in the historic Giardini venue, and one of the oldest, dating from 1914, 19 years after the Biennale was founded in 1895.

The impact of jury’s resignation

The five-woman jury’s unprecedented resignation came after it announced that it would not award the prestigious Golden Lion prizes to countries under investigation by the International Criminal Court for human rights abuses, effectively isolating Russia and Israel.

British artist Anish Kapoor, who has opened an exhibition in his palazzo across Venice, called the jury “courageous.”

“They should have included the US of A in that list of countries excluded because of the politics of hate and war that has been going on now for too long,’’ he told The Associated Press in an interview Wednesday. “What these wonderful women say is that culture has a language that speaks to politics that is if you like enrolled, embedded in political discourse, even if it’s invisible.”

Inside the Russian Pavilion

For all the controversy it unleashed, Russia’s pavilion, which features a series of musical performances, is scheduled to close before the official opening of the Biennale on May 9. The performances were being recorded to play through the window during the rest of the international exhibition, which closes Nov. 22.

Until Friday, visitors can fish a piece of discarded clothing from a bin inside the sparsely adorned pavilion, and wander upstairs where an open bar dispenses champagne and Prosecco next to a huge bouquet of flowers resembling a tree, visible through an open window from outside the Giardini walls.

On Tuesday, the first preview day, a small group of people danced to house music played by an Argentine DJ, while a pavilion spokesman wearing an animal mask refused to give his full name and said curators were not available for interviews.

Tolokonnikova said the only Russian art that should be shown is by dissidents who are jailed “for mostly ridiculous charges.”

“Those people make art, and I want that art to represent Russia, because they represent the real face of Russia,’’ she said.

Tolokonnikova said that efforts to contact the Biennale organizers to express their concerns had failed, and that to enter the Giardini venue, she had to use an assumed name to get through security.

In Russia, Mikhail Shvydkoy, Putin’s special envoy for international cultural cooperation, has welcomed Russia’s return to the Biennale, telling Russia’s news outlet RBC last month that “Russian culture can’t be canceled.”

Russia’s Antiwar Committee, a group of Kremlin critics and opposition activists in exile that formed after Moscow launched its all-out war on Ukraine and which has since been banned in Russia and declared a “terrorist organization,” lauded the EU’s decision to pull funding.

“The participation of Putin’s representatives at one of the world’s foremost cultural forums is neither a gesture of openness nor a celebration of artistic freedom,’’ the group said. “It is a source of shame for Europe and a gift to the Russian propaganda machine.”

Associated Press writer Dasha Litvinova in Tallinn, Estonia, contributed to this report.

Colleen Barry, The Associated Press