Russia puts Ukrainian President Zelenskyy on its wanted list
Russia has put Ukrainian President Volodymyr Zelenskyy on its wanted list, Russian state media reported Saturday, citing the interior ministry’s database.
After sitting through all two-and-a-quarter hours of “Spider-Man: Across the Spider-Verse,” the latest animated adventure of the universe jumping superhero, your spidey senses won’t be the only thing left tingling.
A wild pop culture pastiche of visual styles that jumps off the screen in ways that will give your eyeballs a Charles Atlas-style workout, it is a full-body experience on the big screen.
Gwen Stacy (voice of Hailee Steinfeld) and Miles Morales (voice of Shameik Moore) return from 2018’s “Spider-Man: Into the Spider-Verse.” Both are the offspring of police officers, and both have secret identities as Spider-Woman and Spider-Man, respectively.
When Gwen becomes estranged from her father, she disappears into the Spider-Verse, a series of connected but independent universes, each with its own brand of Spider-People. As The Spot (voice of Jason Schwartzman), a villain covered in portals that allow him to transport from place to place, threatens to shred the very fabric of the Multi-Verse, Gwen and Miles go interdimensional to fight the new threat.
There they find Spider-HQ, sort of a Quantico for all various and sundry Spider-Folks, including Spider-Woman (voice of Issa Rae), Spider-Punk (voice of Daniel Kaluuya) and alpha arachnid Miguel O'Hara (voice of Oscar Isaac). When Miles inadvertently disrupts the Spider-Verse, he learns an important lesson about the sacrifice required to be a Spider-Man.
“Spider-Man: Across the Spider-Verse” is a spider web of Marvel mythology, relationship drama, action and some very funny moments, combined with extraordinary, state-of-the-art visuals. In the action scenes, co-directors Joaquim Dos Santos, Kemp Powers and Justin K. Thompson pull out all the stops to create a singular experience that has more to do with the anarchic spirit of the original comic books than the recent spate of superhero movies.
Stylish and frenetic, the action scenes are so colourful they often look like an artist’s paint palette exploded on the screen.
When the film isn’t in motion, it takes the time to explore the relationships between parents and kids, with the added twist of superheroes trying to figure out their place in the world (or should that be “worlds?”), while trying to navigate their teens. It adds themes of loneliness, responsibility vs. obligation and having autonomy over one’s own life. Through Gwen and Miles, and a heaping helping of action, the importance of writing one’s own life story is the focus.
Ultimately, the success of “Spider-Man: Across the Spider-Verse” isn’t simply about the eye-popping nature of the visuals or the humour or the emotional aspect of the story. All are great, but what makes it special is that it feels fresh. It’s a superhero movie, with all the world-saving tropes you expect, but it feels more like a comic book come to life than most, if any, other superhero flick.
The Boogeyman may be the most prevalent and terrifying creature to haunt the night. With no specific appearance, the Boogeyman can be anyone or anything that hides in the dark recesses of your mind, or under your bed.
In the new horror film “The Boogeyman,” based on Stephen King's short story of the same name from the 1978 anthology “Night Shift,” and now playing in theatres, the titular character is a murderous, malevolent force who feeds off grief.
The movie focuses on 16-year-old Sadie (“Yellowjackets” star Sophie Thatcher) and younger sister Sawyer Harper (Vivien Lyra Blair), both still smarting from the tragic death of their mother. Their father, therapist Will (Chris Messina), is so consumed by his own grief he is unable to provide the support his daughters need.
When Lester (David Dastmalchian), a disturbed man who claims that someone or something killed his children, shows up at their home, desperate for help, he unwittingly brings with him a dangerous entity that feasts on their anguish.
At first, Sadie and Sawyer’s fear of this mysterious presence is brushed off as a “manifestation” of their imaginations.
“When there are scary things we don’t understand,” says Dr. Weller (LisaGay Hamilton), “our minds try and fill in the blanks.”
As the terror continues, however, Will begins to take the danger seriously, as Sadie seeks ways to neutralize the threat.
“The Boogeyman” is another entry in the low-light horror movie sweepstakes. Director Rob Savage keeps the aperture turned down, shooting most scenes in the near dark, which is a perfect incubator for horror, but begs the question, “If the boogeyman only comes in the dark, why not turn on the lights?”
That quibble aside, “The Boogeyman” is an effective slow-burn tale of terror. It takes its time with the scares, introducing jump scares and slamming doors early on, building anxiety and tension, before getting face-to-face with the face of evil.
The monster itself is nothing much special, but the idea of it is the stuff of nightmares. A creature that feeds off you at your lowest point, that “likes to play with its food” to “scare them until they’re done,” is something that can burrow its way deep into your subconscious. It is at the center of the film, but Savage opts for jump scares over the psychological, blunting some of the story’s true emotional horror.
Having said that, the relationship between the two sisters ups the ante as Sadie risks it all to protect her younger sibling.
“The Boogeyman” is more anxiety-inducing than actually scary, but it is an interesting take on grief, and how sometimes you have to put the past behind you to move forward.
“Bones of Crows,” a new period drama now playing in theatres, covers decades of history, but is tied to recent, horrifying events.
Jumping through time from the 1800s to the 2020s, the story of the intergenerational trauma caused by the Canadian residential school system focuses on the family of Aline Spears (Grace Dove), a Cree woman born to a large, happy family in 1930s Manitoba. Everything changes when Aline and her siblings are forcibly taken from their parents, who are told they will be thrown in prison if they don’t sign over their children to the residential school system.
As the children are abused, physically and emotionally — “I could kill you and bury you out back and nobody would care,” a priest snarls at the headstrong Aline — the priests and nuns systematically attempt to strip the siblings of their Indigenous heritage, religion and identity, forcing them to assimilate them into the dominant Canadian culture. It is, as one character says, “a lesson in unrelenting cruelty.”
During the Second World War, Aline escapes the horrors of the school by enlisting in the army.
“The only way we can make sure they don’t send you back to that school is to send you to war.” During her training to become part of an elite squad of code talkers who used the Cree language to disguise military intelligence, she meets and marries Adam (Phillip Lewitski).
Returning home from war to raise their family, Adam suffers PTSD, while Aline is haunted by the abuse she suffered at the hands of her sadistic teachers.
As the movie skips through time, we learn more about the residential school, Aline’s life after the war, her sister’s legal woes and the next generation, the children that carry the trauma in their DNA.
The process of healing is ever present, however, as Aline remembers the words her mother said to her as she enlisted in the army: “You be everything you are meant to be. Don’t let the darkness win. Don’t let them win.”
Métis-Dene writer and director Marie Clements covers a great deal of ground, much of it hard going. The cruelty and attempts to dehumanize Indigenous youth are brought to horrific life, and the depictions of residential schools; child abuse, sexual and psychological abuse and racism may be very unsettling for many viewers.
But even though the film chronicles a century of generational trauma, it is also a celebration of Cree resilience and tradition. There are eye-opening depictions of atrocities, necessary to tell the story, but as Aline confronts the past, there is also a sense of justice.
Russia has put Ukrainian President Volodymyr Zelenskyy on its wanted list, Russian state media reported Saturday, citing the interior ministry’s database.
A man was denied a $5,000 payout from his brother after a B.C. tribunal dismissed his claim disputing how many kittens were born in a litter.
A Chinese truck driver was praised in local media Saturday for parking his vehicle across a highway and preventing more cars from tumbling down a slope after a section of the road in the country's mountainous south collapsed and killed at least 48 people.
A man accused of arson in a January Old Strathcona apartment fire is expected to be charged with manslaughter after a body was discovered in the burned building late last month.
Ontario Provincial Police say two people were killed after a car and a transport truck collided in the westbound lanes of Highway 417 near Limoges, Ont. on Tuesday afternoon.
A Quebec man who pleaded guilty to threatening Prime Minister Justin Trudeau and Premier François Legault has been sentenced to 20 months in jail.
A candidate for Chancellor Olaf Scholz's center-left party in next month's election for the European Parliament was beaten up and seriously injured while campaigning in an eastern city, the party said Saturday.
Police are investigating after a BMW exploded in the St-Lambert Exo train station parking lot on Montreal's South Shore.
A group of lawyers has written what they call a groundbreaking book about how mental health is perceived in the legal profession.
Alberta Ballet's double-bill production of 'Der Wolf' and 'The Rite of Spring' marks not only its final show of the season, but the last production for twin sisters Alexandra and Jennifer Gibson.
A British Columbia mayor has been censured by city council – stripping him of his travel and lobbying budgets and removing him from city committees – for allegedly distributing a book that questions the history of Indigenous residential schools in Canada.
Three men in Quebec from the same family have fathered more than 600 children.
A group of SaskPower workers recently received special recognition at the legislature – for their efforts in repairing one of Saskatchewan's largest power plants after it was knocked offline for months following a serious flood last summer.
A police officer on Montreal's South Shore anonymously donated a kidney that wound up drastically changing the life of a schoolteacher living on dialysis.
Since 1932, Montreal's Henri Henri has been filled to the brim with every possible kind of hat, from newsboy caps to feathered fedoras.
Police in Oak Bay, B.C., had to close a stretch of road Sunday to help an elephant seal named Emerson get safely back into the water.
Out of more than 9,000 entries from over 2,000 breweries in 50 countries, a handful of B.C. brews landed on the podium at the World Beer Cup this week.
Raneem, 10, lives with a neurological condition and liver disease and needs Cholbam, a medication, for a longer and healthier life.